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Fragment of an Altar with the Figures of Three Men Robert Moreau (workshop of)


Robert Moreau (workshop of) documented, Paris between 1532 and 1540

Alkotói korszak
Culture Netherlandish
Date 1520–1540
Object type relief
Medium, technique polychrome and gilded oak wood

40 × 29 × 8 cm

Inventory number 84.9
Collection Sculptures
On view Museum of Fine Arts, Second Floor, European Sculpture 1350-1800, Gallery 1

In the Netherlands, sculpture and painting workshops produced carved altars, reliefs and painted panels on a large scale, so the trade of these artefacts increased throughout Europe. The market needed to be regulated, and so the sculptors and painters began to use maker’s marks, burnt into the wood. Such marks were a sign of quality, and they enabled the object to be easily identified. The sculptors of the guild in Antwerp marked their sculptures with the form of a small hand from 1470 onwards. The fragment of an altar with the figures of three men also has this guild marking.


Balogh, Jolán – Szmodisné Eszláry, Éva, Katalog der ausländischen Bildwerke des Museums der bildenden Künste in Budapest, 4.-18. Jahrhundert, Bd. 3. Neuerwerbungen, Akadémiai Kiadó, Budapest, 1994, p. 43., no. 20.

Szépművészeti Múzeum: Remekművek az ókortól napjainkig. 100 év, Szépművészeti Múzeum, Budapest, 2006, no. 34.

Museum of Fine Arts, Budapest: Masterpieces from the Collection, Museum of Fine Arts, Budapest, 2006, no. 34.

Múzeumi kalauz: Vezető a Szépművészeti Múzeum régi gyűjteményeihez, Szépművészeti Múzeum, Budapest, 2021, p. 148-149.

Museum Guide: Old collections of the Museum of Fine Arts, Budapest, Museum of Fine Arts
, Budapest, 2021, p. 148-149.

This record is subject to revision due to ongoing research.

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