| Artist | |
|---|---|
| Culture | flemish |
| Date | ca. 1640–1645 |
| Object type | painting |
| Medium, technique | oil on canvas |
| Dimensions | 168 x 240 cm |
| Signature | Signed lower right: A Benedetti Fe[cit] |
| Inventory number | 255 |
| Collection | Old Master Paintings |
| On view | Museum of Fine Arts, First Floor, European Art 1600–1700 and British Painting 1600–1800, Gallery IX |
Benedetti was the pupil of Jan Davidsz. de Heem, who is credited with the creation of the most sumptuous type of Baroque decorative still life. In an elegant architectural setting with columns and draperies stands a richly-laden table with velvet and damask tablecloths. The expensive fruits, the metal and glass vessels filled with drinks, the enticing oysters and enormous lobsters, crowded into a dynamically composed group on the table symbolise wealth, luxury, and the pleasures of earthly life; but here and there a hidden motif hints at their transience. On the corner of the table, for instance, an upset communion chalice and the bread next to it are eucharistic symbols.
Ildikó Ember
Pigler, Andor, Katalog der Galerie Alter Meister, 1-2. Museum der Bildenden Künste, Szépművészeti Múzeum, Budapest. 2, Akadémiai Kiadó, Budapest, 1967, p. 58-59.
This record is subject to revision due to ongoing research.
