| Artist | |
|---|---|
| Culture | German |
| Date | ca. 1480–1490 |
| Object type | sculpture |
| Medium, technique | painted oakwood |
| Dimensions | 186 x 49 x 28 cm |
| Inventory number | 4966 |
| Collection | Sculptures |
| On view | Museum of Fine Arts, Second Floor, European Sculpture 1350-1800, Gallery 1 |
The statues depicting the sorrowful Virgin and St John stood at the abbey church of Grosskönigsdorf near Cologne until the beginning of the 19th century; the central Crucifix is there until this day. The life-size, painted statues appeared on the art market after the dissolution of the monastery and the demolishing of the church. The characteristic long faces, the bold and harmonic drapery forms tie the two statues to the leading workshop in Cologne during the last quarter of the 15th century. Master Tilman, coming probably from Utrecht, has a large oeuvre in the churches in and around Cologne: the earliest dated work of these is the wooden sepulchral monument of Count Sayn and his wife in the church of Marienstatt (1487). The carving technique ties our statues to this monument.
Miriam Szőcs
Balogh, Jolán, Katalog der ausländischen Bildwerke des Museums der bildenden Künste in Budapest, IV – XVIII. Jahrhundert: 1. Textband Bd. 1, Akadémiai Kiadó, Budapest, 1975, p. 218., no. 307.
Szmodisné Eszláry, Éva, A Régi Szoborgyűjtemény kincsei, Szépművészeti Múzeum, Budapest, 1994, p. 10, 50-51, ill. 42.
Szmodisné Eszláry, Éva, The treasures of the Old Sculpture collection, Szépművészeti Múzeum, Budapest, 1994, p. 10, 50-51.
The Museum of Fine Arts Budapest: guide, Museum of Fine Arts, Budapest, 2006, p. 149-150, no. 198.
This record is subject to revision due to ongoing research.
